GRIFFIN ARTIST BLOG

Griffin Artist Card membership is an initiative to increase access to our theatre. This program facilitates the coming together of artists across different disciplines and at different stages of their career. It supports and strengthens a vibrant emerging artist community, as well as acknowledging this community as an important part of the Griffin family and the wider theatre world.

How does it work? We want to offer a place where artists can see work, discuss work and make work.

To see work, we will continue to offer heavily discounted $15 tickets, which can be booked in the first fortnight of all Griffin and Griffin Independent shows, Performance Space shows at members' rates and ticket deals and giveaways to other theatre companies.

To discuss work, we are introducing regular Artist Card events where the community can come together for a drink.

And finally, we are supporting emerging artists in their making of new, bold and exciting work. Griffringe will continue to be a great avenue for artist card holders to display their work. We will also be offering (where possible!) free use of our space for readings and developments.

The Artist Card is a community. It is the glitter glue that brings all the cool amazing arty people together and helps them sparkle. So it's almost like glitter glue squared. If you are interested in joining the artist card outfit, please email artist@griffintheatre.com.au or come along to our next shindig….Hope to see you there!

Posts tagged Duncan Graham

Jun 10
ARTIST OF THE WEEK: Q&A WITH IAIN SINCLAIR
What are you working on currently?
The Highway Crossing or The tale of the Golden Fish by The Estonian artist Jan Taate. An offbeat modern telling of the Russian fairy tale and a fascinating meditation on capitalism and greed from a country that experienced a massive and rapid shift in economies from soviet to capitalist. It has been translated by Hendrik Elstein and adapted by Duncan Graham. I’m acting in it with Hendrik, Aimee Horne and Sam Haft. It’s a co-op in the truest sense and an excellent exercise in old fashioned mind bending storytelling. I’m dramaturg on Angela Beitzein’s fantastic new work Helicopter down in Melbourne right now for an MTC season which deals with Australia’s growing obsession with safety and how that intersects with parenthood and immigration, Angela is one of the funniest, most honest, brilliantly cruel and ethical playwrights I have ever come across, its a project that I’m very excited about, she might just be a new Romeril. I also get to work on it with director Leticia Caceres whose In the Dark Room caused such a splash last year. I’m directing Allsop & Henderson’s new work “The Pork Stilleto”, I have been a fan of this comic duo since they smashed my tiny mind into a kaleidoscope of delights with their show “A Porthole into the Minds of the Vanquished”, this one is getting dramaturgy by Phil Spencer and is shaping up to be a frame within a frame within a mirror within a maze inside a thriller based around the panoply of different “philias” that exist in the world, two philias that come to mind are: Chrematistophilia where a person can only become sexually aroused if they are being blackmailedinto it and Altocalcicarnephilia where someone can only become aroused if their partner is wearing stilettos made out of meat. Did I mention that it was a comedy?
What was the most interesting thing you saw recently?
A dog swallowing, he had his heard out a car window and I nearly wept, what a simple joy. Two people I know who are pretending that they are not in love with each other. A sign at the urinals of the German club saying “do not place children here”. An Arab/Israeli restaurant opposite the UN. Vietnamese water puppets. Ghostfaced Killah pouring words like water out of jug last Saturday night. The person who donated their face for the world’s first face transplant saying in their will that they wanted their donation to ‘remain anonymous’.
What is the best piece of advice that you’ve been given?
“Shy boys never get any sweets” (from my Nanna Dot). “Even though its really fun always resist the urge to slag off another director” (From Max Stafford Clark) “The best way to ruin a recipe is by putting too much stuff in stuff” (From my second chef). 
Who, past or present, would you like to share a meal with and why?
Wallace Shawn and Andre Gregory so I could pretend I was the camera in My Dinner with Andre II. My Grandad George who worked down the pits in Durham County and died too soon, Damien Ryan because I think he is a damn fine director … everyone is supposed to say Ghandi and Shakespeare right? But Ghandi only ate dhal and drank his own wee and Elizabethan meals were all grey dripping and goose fat so I’d opt just for a friendly morning visit with those two … there are so many … although I did realise a dream the year before last when I had dinner with Tracy Letts when he was in town for August Osage County. August Osage County was the last time I heard a full theatre audibly gasp in unison. Ah good old fashioned no effing around straight up dramatic action. It’s true that a chair can be a horse if you put a bucket on it but if I had my druthers I’d choose an awesome piece of new playwrighting acted lean and hard over a chair and a bucket.
‘The Highway Crossing’ is currently in production. 
Season June 9 to June 29 2012
Days & Times Tues – Sat 8pm, Sun 5pm
Prices Adult $33 / Concession $25 / Cheap Tuesdays $21 / Beer Taco Show Deal $42 ($35 on Cheap Tuesdays)
Check it out here.

ARTIST OF THE WEEK: Q&A WITH IAIN SINCLAIR

What are you working on currently?

The Highway Crossing or The tale of the Golden Fish by The Estonian artist Jan Taate. An offbeat modern telling of the Russian fairy tale and a fascinating meditation on capitalism and greed from a country that experienced a massive and rapid shift in economies from soviet to capitalist. It has been translated by Hendrik Elstein and adapted by Duncan Graham. I’m acting in it with Hendrik, Aimee Horne and Sam Haft. It’s a co-op in the truest sense and an excellent exercise in old fashioned mind bending storytelling. I’m dramaturg on Angela Beitzein’s fantastic new work Helicopter down in Melbourne right now for an MTC season which deals with Australia’s growing obsession with safety and how that intersects with parenthood and immigration, Angela is one of the funniest, most honest, brilliantly cruel and ethical playwrights I have ever come across, its a project that I’m very excited about, she might just be a new Romeril. I also get to work on it with director Leticia Caceres whose In the Dark Room caused such a splash last year. I’m directing Allsop & Henderson’s new work “The Pork Stilleto”, I have been a fan of this comic duo since they smashed my tiny mind into a kaleidoscope of delights with their show “A Porthole into the Minds of the Vanquished”, this one is getting dramaturgy by Phil Spencer and is shaping up to be a frame within a frame within a mirror within a maze inside a thriller based around the panoply of different “philias” that exist in the world, two philias that come to mind are: Chrematistophilia where a person can only become sexually aroused if they are being blackmailedinto it and Altocalcicarnephilia where someone can only become aroused if their partner is wearing stilettos made out of meat. Did I mention that it was a comedy?

What was the most interesting thing you saw recently?

A dog swallowing, he had his heard out a car window and I nearly wept, what a simple joy. Two people I know who are pretending that they are not in love with each other. A sign at the urinals of the German club saying “do not place children here”. An Arab/Israeli restaurant opposite the UN. Vietnamese water puppets. Ghostfaced Killah pouring words like water out of jug last Saturday night. The person who donated their face for the world’s first face transplant saying in their will that they wanted their donation to ‘remain anonymous’.

What is the best piece of advice that you’ve been given?

“Shy boys never get any sweets” (from my Nanna Dot). “Even though its really fun always resist the urge to slag off another director” (From Max Stafford Clark) “The best way to ruin a recipe is by putting too much stuff in stuff” (From my second chef).

Who, past or present, would you like to share a meal with and why?

Wallace Shawn and Andre Gregory so I could pretend I was the camera in My Dinner with Andre II. My Grandad George who worked down the pits in Durham County and died too soon, Damien Ryan because I think he is a damn fine director … everyone is supposed to say Ghandi and Shakespeare right? But Ghandi only ate dhal and drank his own wee and Elizabethan meals were all grey dripping and goose fat so I’d opt just for a friendly morning visit with those two … there are so many … although I did realise a dream the year before last when I had dinner with Tracy Letts when he was in town for August Osage County. August Osage County was the last time I heard a full theatre audibly gasp in unison. Ah good old fashioned no effing around straight up dramatic action. It’s true that a chair can be a horse if you put a bucket on it but if I had my druthers I’d choose an awesome piece of new playwrighting acted lean and hard over a chair and a bucket.

‘The Highway Crossing’ is currently in production.

Season June 9 to June 29 2012

Days & Times Tues – Sat 8pm, Sun 5pm

Prices Adult $33 / Concession $25 / Cheap Tuesdays $21 / Beer Taco Show Deal $42 ($35 on Cheap Tuesdays)

Check it out here.


Mar 20

CUT & PASTE #10 REFLECTION

The tenth Cut & Paste was held last Sunday night and it was a total blast. The next time one shoots around the corner you must, must, must go as it is the roughest and readiest of new work in Sydney.

There was a ’70s glam-rock band (The Electric Ninjas), fantastic performance collective Fishwife, comic Evin Donohoe and his illustrious comparisons between the Sydney Morning Herald and his penis, and Duncan Graham (one of Griffin’s very own resident artists) trialling a couple of scenes from his new play.

Of particular note was spoken-word artist Geoff Lemon. Motherflipper. I had never seen spoken-word performance before and his work totally blew my mind. His words were so powerful and his performance so present that it was like he was running a conversation with the audience considering the amount of noise we were making in response (eg. a collective punched-out sigh when he, in his love poem about leaving a girl behind in another country, said something along the lines of ‘I get to the other side of the world and suddenly realise that I’ve left half my chest behind.’

I harassed him slightly in the pub afterwards and it turns out he is co-Artistic Director of the Young Writers Festival (along with coordinator Zoe Norton-Lodge, who runs Cut & Paste with Phil Spencer), which is part of TINA in September. Seriously, go up to Newcastle for a weekend and just listen. Here is a link to his blog, Heathen Scripture.

And you should definitely apply to the Writers Festival. Go here to do that.


Mar 13
CUT & PASTE #10
The Old Fitzroy Theatre March 18th - ONE NIGHT ONLY!
CUT & PASTE is a bi-monthly performance night showcasing new work including short plays, comedy, music and theatrical works-in-progresses.
CUT & PASTE # 10
  THE LINE UP… Duncan Graham Geoff Lemon Evan Donohoe Fish Wife Some Mighty Glam Rock Fiends THE INFO… DATE: Sunday March 18th 2012 TIME: 8.00pm WHERE: The Old Fitzroy Theatre COST: $12.00  (door sales only) CHEEKY DEAL: If you go see our main stage show, The Importance of Being Ernest Dragons at 5pm the same day you’ll get half price entry to Cut & Paste. HEADS UP: Arrive early as it usually sells out!

CUT & PASTE #10

The Old Fitzroy Theatre March 18th - ONE NIGHT ONLY!

CUT & PASTE is a bi-monthly performance night showcasing new work including short plays, comedy, music and theatrical works-in-progresses.

CUT & PASTE # 10

  THE LINE UP…
Duncan Graham
Geoff Lemon
Evan Donohoe
Fish Wife
Some Mighty Glam Rock Fiends

THE INFO…

DATE: Sunday March 18th 2012
TIME: 8.00pm
WHERE: The Old Fitzroy Theatre
COST: $12.00  (door sales only)
CHEEKY DEAL: If you go see our main stage show, The Importance of Being Ernest Dragons at 5pm the same day you’ll get half price entry to Cut & Paste.
HEADS UP: Arrive early as it usually sells out!


Feb 21
Playwriting Festival - NSW Writers Centre
Award-winning playwright and all round cool cat Kate Mulvany has  curated the first festival of the year for the NSW Writers Centre.
“The Playwriting Festival will bring together some of Australia’s  best  and brightest playwrights, dramaturgs, artistic directors and  reviewers  including Van Badham, Vanessa Bates, Jane Bodie, Fraser Corfield, Duncan Graham, Kevin Jackson, Andrea James, Leland Kean, Mark Kilmurry, John McCallum, Tony McNamara, Tommy Murphy, Debra Oswald, Lachlan Philpott, Polly Rowe, Diana Simmonds, Sam Strong, Augusta Supple.
Just confirmed to join the line up are Katherine Thomson (Diving For Pearls, King Tide) and Ian Meadows (Four Deaths in the Life of Ronaldo Abok).
The program will cover the craft and business of playwriting with   panels on the changing face of Australian playwriting; the pros and cons   of working with directors and dramaturgs; what mainstage theatre   companies are looking for; working in the fringe theatre scene; the   reviewed versus the reviewer; and the playwright’s role in the   production process. A full program will be released very soon.
There will be script sales, gourmet food and coffee, plenty of free   parking and you are welcome to join us on the veranda at the end of the   day for a complimentary post-festival drink. NSW Writers’ Centre  members  also receive a generous discount on festival bookings.”
Bookings can be made from 30 January. NSW Writers’ Centre Members $55 / Concession Members $45 / Non-members $80.
The Festival is being held on Saturday 3 March.
Kate has written a stunning summation of playwriting on the Centre’s website. Make sure you read it and also check out the full festival program.

Playwriting Festival - NSW Writers Centre

Award-winning playwright and all round cool cat Kate Mulvany has curated the first festival of the year for the NSW Writers Centre.

“The Playwriting Festival will bring together some of Australia’s best and brightest playwrights, dramaturgs, artistic directors and reviewers including Van Badham, Vanessa BatesJane Bodie, Fraser Corfield, Duncan Graham, Kevin Jackson, Andrea JamesLeland Kean, Mark Kilmurry, John McCallum, Tony McNamara, Tommy Murphy, Debra Oswald, Lachlan Philpott, Polly Rowe, Diana Simmonds, Sam Strong, Augusta Supple.

Just confirmed to join the line up are Katherine Thomson (Diving For Pearls, King Tide) and Ian Meadows (Four Deaths in the Life of Ronaldo Abok).

The program will cover the craft and business of playwriting with panels on the changing face of Australian playwriting; the pros and cons of working with directors and dramaturgs; what mainstage theatre companies are looking for; working in the fringe theatre scene; the reviewed versus the reviewer; and the playwright’s role in the production process. A full program will be released very soon.

There will be script sales, gourmet food and coffee, plenty of free parking and you are welcome to join us on the veranda at the end of the day for a complimentary post-festival drink. NSW Writers’ Centre members also receive a generous discount on festival bookings.”

Bookings can be made from 30 January. NSW Writers’ Centre Members $55 / Concession Members $45 / Non-members $80.

The Festival is being held on Saturday 3 March.

Kate has written a stunning summation of playwriting on the Centre’s website. Make sure you read it and also check out the full festival program.